… / / April 2026 Newsletter
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      • From Dada Collages To Ai Art
        • Introduction and Personal Motivation
        • Dadaism: Collage and the Original “Anti-Art” Movement
        • AI-Generated Art: Algorithms as the New Collage
        • Comparing Dadaism and “AI-Artism”
        • Modality and Technique: Collage vs. Computation
        • Origins and Intentions: Art Movement vs. Tech Innovation
        • Reception and Cultural Impact: Anti-Art Manifesto vs. Existential Disruption
        • Outcomes and Future Trajectories: Lessons from Dada for AI Art
        • Conclusion: Art, AI, and Accessibility – A Personal Reflection
      • Healing from Trauma
        • Page 1
        • The Reaction Before the Origin Story
        • The Question I Cannot Fully Answer
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        • The Video That Made Me Want to Write This
        • The Trauma in the Middle
        • What Actually Healed
        • The Middle Path: Not Erasure, Not Perseveration
        • Afterword
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        • Page 1
        • Lighting: High Color Fidelity vs. Spectral Restriction
        • Audio: Theatre Mic Techniques for a Hybrid D&D Game
        • Digital Fabrication: From Desktop 3D Printing to Stage-Size Scenery
        • Conclusion: Personal Reflections on Tech in Theatre
        • Afterword
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        • Overalls and Feeling Small
        • Voluntary vs. Involuntary Age Regression
        • Stress, Comfort, and Little Space
        • Age Regression vs. Age Play
        • The ABDL Identity and Spectrum
        • Community Norms, Safety, and Stigma
        • Unpacking Misconceptions
        • Afterword
      • Monoline
        • Origins, Purpose, and Brief History
        • Shel Silverstein’s Expressive Monoline Style
        • From Viral Outlines to Indie Cartoons: Monoline’s Digital Revival
        • Ghs
        • Joel Haver
        • Ginjaninjaowo
        • Matthew Mccleskey
        • Thatoneguysanimations
        • Uzumaki Tegaki Clip
        • Shermys Forest And A Kind Remark
        • Bridging Traditional and Digital: Community Art and Personal Practice
        • The Commercial and Algorithmic Appeal of Monoline
        • Communities and Culture: Constraints as a Creative Identity
        • Conclusion and Personal Reflections
        • Afterword
      • Never Have I Ever: Kinks
        • About Me
        • Aromantic Asexual Autonomy
        • A Space for Kink Exploration: Trials in Tainted Space
        • Consent and Customization in a Kinky Universe
        • From Kink Exploration to Relational Ethics
        • Doe Steele: The Trials in Tainted Space
        • Opening Up on Mhen’ga: Amber Changes the Game
        • Crew as Community
        • Relationship Anarchy Among the Stars
        • Afterword
      • Ps1lowpoly
        • Page 1
        • Early Low-Poly 3D: Console Limitations Shaping an Aesthetic
        • From Quirk to Art Form: Low-Poly Revival and Nostalgia
        • Modern Low-Poly in Contemporary Media and Art
        • Super Mario 64
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        • Interview with an Appreciator
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        • Afterword Fave (Interviewee)
      • Saved My Life
        • My Relationship With Food
        • My Trip to the Hospital
        • What My Journey Looks Like Now
        • Re-Learning My Purpose
        • Afterword
      • Slowart
        • Page 1
        • Additive
        • Subtractive (Decay)
        • Performative
        • Slow-Change (Growth)
        • Latent Activation
        • Pilgrimage
        • Witnessing
        • Conclusion: Embracing the Art of Slow Moments
      • The Life Death And Afterlife Of Mannequins
        • I. The Enduring Allure of Mannequins
        • II. The Material and Historical Trajectory of Mannequins
        • Evolution from Functional Forms to Lifelike Figures
        • The Fiberglass Revolution: Durability and Mass Production
        • III. Mannequins as Cultural Artifacts: From Discarded to Desired
        • The Paradox of Invisibility and Persistent Presence
        • Sustainable Second Lives: The Mannequin Madness Model (Judi Henderson)
        • Case Studies Of Mannequin Reuse
        • The Uncanny Valley: Mannakin Hall as Experiential Art (Roz Edwards)
        • IV. Mannequins in the Human Imagination: Companionship and Projection
        • V. Reflections on Mannequin Endurance: A Personal Synthesis
      • Valentine
        • Page 1
        • A Sweet Gesture After Lockdown
        • Yearning vs. Attraction
        • Thought Experiments with a Safety Net
        • The Fun of Shipping (Even for the Aro-Ace Crowd)
        • Conclusion: Choose Your Own Valentine
        • Afterword
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      • Star Trek
        • USS Mesa
          • Page 1
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          • Page 3
      • Star Wars
        • Protocols and Princesses
          • Page 1
        • Shakka'Dira
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          • Page 3
          • Page 4
          • Page 5
          • Page 6
          • Page 7
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      • Trolls
        • Rave and Relaxation
          • Page 1
    • Original
      • Neon Fairy Lights
        • Main Story
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      • Northern Lights
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      • Virtual World
        • Commands
          • 01 Bash
          • 02 Cat
          • 03 Ping
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          • 09 Sudo
          • 10 Kali
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          • 13 Tail
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          • 15 Cron
          • 16 Alma
          • 17 Shell
          • 18 Yaml
          • 19 Sed
          • 20 Curl
        • Five Stories
          • 01 Cautious 01
          • 02 Desperate 01
          • 03 Fading 01
          • 04 Cautious 02
          • 05 Indifferent 01
          • 06 Gentle 01
          • 07 Cautious 03
          • 08 Desperate 02
          • 09 Fading 02
          • 10 Cautious 04
          • 11 Indifferent 02
          • 12 Gentle 02
          • 13 Cautious 05
          • 14 Desperate 03
          • 15 Fading 03
          • 16 Cautious 06
          • 17 Indifferent 03
          • 18 Gentle 03
          • 19 Cautious 07
          • 20 Desperate 04
          • 21 Fading 04
          • 22 Cautious 08
          • 23 Indifferent 04
          • 24 Gentle 04
          • 25 Cautious 09
          • 26 Desperate 05
          • 27 Fading 05
          • 28 Cautious 10
          • 29 Indifferent 05
          • 30 Gentle 05
          • 31 Cautious 11
          • 32 Desperate 06
          • 33 Fading 06
          • 34 Cautious 12
          • 35 Indifferent 06
          • 36 Gentle 06
        • Main Story
          • Page 1
          • Page 2
          • Page 3
          • Page 4
          • Page 5
          • Page 6
          • Page 7

April 2026 Newsletter


From Dan, Your Friend and Jedi

Dear Friends,

May the Fourth be with you! Happy Star Wars Day. Let’s get into my month of April.

I dressed up as a Jedi and had blue milk and cookies.
Fig. 19.0: I dressed up as a Jedi and had blue milk and cookies.

We had class tonight on Star Wars day, so we watched some Star Wars on the projector. I dressed up as a Jedi (Fig. 19.0) and we had blue milk and cookies to share!

3D printed dog figurines.
Fig. 19.1: 3D printed dog figurines.

I got to do one of my favorite kinds of 3D printing this month: the kind that becomes a gift. I printed two pugs and a staffy (Fig. 19.1) and gave them to their owners. There is something very satisfying about turning a little digital model into a physical object, and then watching it become meaningful because it resembles somebody’s beloved dog. Tiny plastic, big emotional payload.

I'm dressed as the Easter bunny, ready to collect eggs.
Fig. 19.2: I'm dressed as the Easter bunny, ready to collect eggs.

I was also the Easter Bunny this year for my church (Fig. 19.2). I volunteered pretty much as soon as they brought it up. My church coworkers knew I fursuited at the Halloween trunk-or-treat, so they were both not surprised and also thinking I was probably the perfect fit. And apparently the congregation agreed, because even with the suit on, all the usual members knew it was me!

Kodi curled up on the bed.
Fig. 19.3: Kodi curled up on the bed.

Kodi decided that my bed seemed nice for him (Fig. 19.3). I did not move him. Was it a bit tight on a twin bed? Yes. Did he mind? Absolutely not. He seemed very pleased with himself, and frankly, he had earned it. Sometimes you simply accept that the dog has made an executive decision and you adapt.

Sewing a chorus costume for Antigone.
Fig. 19.4: Sewing a chorus costume for Antigone.

There was also a lot of work on the recent production of Antigone (Fig. 19.4). I helped with sewing and costumes, and I also helped out with the sets. The fashion side of theatre is genuinely fun for me, because it sits right at the intersection of design, story, texture, and problem solving. Which is to say: yes, I will absolutely overthink a piece of fabric if given the opportunity.

Sticker-bombed laptop covered in convention stickers.
Fig. 19.5: Sticker-bombed laptop covered in convention stickers.

I finally decorated my laptop with years of convention stickers I had been saving (Fig. 19.5). It was a long time coming. I kept collecting them and saving them for the “right” moment, which is a dangerous phrase because sometimes the right moment is just whenever you finally decide to commit. Now it is covered, personalized, chaotic in a curated way, and I am very happy with it.

April went by fast, but I worked on this website nonstop. Yes, this is my first release on the website, but I have the whole catalog here for you to go back through! Start Here if you want to explore, otherwise use the menu on the left to find all the readings you may have missed. The website has my Stories, Newsletters, and now a new research paper to commemorate the official launch of my website.

The paper is my most serious yet, so there are trigger warnings on the landing page, and then click Page 1 to start reading. This is the most personal I have been, and now it is out on the internet. I am very nervous, but the website is a big deal to me, because I really want to leave my legacy.

If you are okay with serious topics, please check out Healing from Trauma where I reflect on my emotional progress through the papers that I have been writing.

This is so exciting to have my website, and I truly hope you enjoy exploring!

Dan out.