… //The Legend Is the Argument
katsumimaki.com
General
  • Home
  • About
  • Methodologies
  • Start Here
Topics
  • Newsletters
    • Fanmade
      • Anti Group Tendencies
        • Page 1
        • Belonging & Community
        • Meaning & Purpose
        • Identity & Self-Definition
        • Structure & Certainty
        • Catharsis & Emotional Outlet
        • Leadership & Guidance
        • Life as an “Anti-Group”
        • Afterword
      • Burnout
        • Page 1
        • Afterword
      • Clothes Are Clothes
        • Introduction: Clothing, Naming, and the Problem of Categories
        • I. Crossdressing, Feminine Clothes, and the Accuracy of the Words
        • II. Aesthetic Practice Rather Than Gender Performance
        • III. Gendered Dress Codes and the Social Friction of Events
        • IV. Being Read as Male, Being Misread, and Pronouns
        • V. Inclusive Language, Humor, and Reducing Social Friction
        • VI. Assumptions, Origin Stories, and the Stakes of "Just Wear Pants"
        • VII. What I Want to Claim
      • Empathy
        • Page 1
        • Afterword
      • Friendswithyou
        • Origins in Miami: Seeds of a Playful Universe (2002–2004)
        • Building a World of Play: Interactive Installations (2005–2009)
        • Rainbow City: Exploding onto the Global Stage (2010–2012)
        • Animism, Art, and “Happy Virus”: A Philosophy of Play
        • Collaborations and Pop Culture Crossovers (2013–2017)
        • Post-Internet Explorations: From Virtual Worlds to NFTs (2015–2022)
        • Conclusion: Pop Spiritualists in a Connected Era
        • Afterword
      • From Dada Collages To Ai Art
        • Introduction and Personal Motivation
        • Dadaism: Collage and the Original “Anti-Art” Movement
        • AI-Generated Art: Algorithms as the New Collage
        • Comparing Dadaism and “AI-Artism”
        • Modality and Technique: Collage vs. Computation
        • Origins and Intentions: Art Movement vs. Tech Innovation
        • Reception and Cultural Impact: Anti-Art Manifesto vs. Existential Disruption
        • Outcomes and Future Trajectories: Lessons from Dada for AI Art
        • Conclusion: Art, AI, and Accessibility – A Personal Reflection
      • Healing from Trauma
        • Page 1
        • The Reaction Before the Origin Story
        • The Question I Cannot Fully Answer
        • The Earlier Papers, for Readers Who Are New Here
        • The Video That Made Me Want to Write This
        • The Trauma in the Middle
        • What Actually Healed
        • The Middle Path: Not Erasure, Not Perseveration
        • Afterword
      • Lights Sound Printing
        • Page 1
        • Lighting: High Color Fidelity vs. Spectral Restriction
        • Audio: Theatre Mic Techniques for a Hybrid D&D Game
        • Digital Fabrication: From Desktop 3D Printing to Stage-Size Scenery
        • Conclusion: Personal Reflections on Tech in Theatre
        • Afterword
      • Littlespaces
        • Overalls and Feeling Small
        • Voluntary vs. Involuntary Age Regression
        • Stress, Comfort, and Little Space
        • Age Regression vs. Age Play
        • The ABDL Identity and Spectrum
        • Community Norms, Safety, and Stigma
        • Unpacking Misconceptions
        • Afterword
      • Mannequins
        • I. The Enduring Allure of Mannequins
        • II. The Material and Historical Trajectory of Mannequins
        • Evolution from Functional Forms to Lifelike Figures
        • The Fiberglass Revolution: Durability and Mass Production
        • III. Mannequins as Cultural Artifacts: From Discarded to Desired
        • The Paradox of Invisibility and Persistent Presence
        • Sustainable Second Lives: The Mannequin Madness Model (Judi Henderson)
        • Case Studies Of Mannequin Reuse
        • The Uncanny Valley: Mannakin Hall as Experiential Art (Roz Edwards)
        • IV. Mannequins in the Human Imagination: Companionship and Projection
        • V. Reflections on Mannequin Endurance: A Personal Synthesis
      • Monoline
        • Origins, Purpose, and Brief History
        • Shel Silverstein’s Expressive Monoline Style
        • From Viral Outlines to Indie Cartoons: Monoline’s Digital Revival
        • Ghs
        • Joel Haver
        • Ginjaninjaowo
        • Matthew Mccleskey
        • Thatoneguysanimations
        • Uzumaki Tegaki Clip
        • Shermys Forest And A Kind Remark
        • Bridging Traditional and Digital: Community Art and Personal Practice
        • The Commercial and Algorithmic Appeal of Monoline
        • Communities and Culture: Constraints as a Creative Identity
        • Conclusion and Personal Reflections
        • Afterword
      • Never Have I Ever: Kinks
        • About Me
        • Aromantic Asexual Autonomy
        • A Space for Kink Exploration: Trials in Tainted Space
        • Consent and Customization in a Kinky Universe
        • From Kink Exploration to Relational Ethics
        • Doe Steele: The Trials in Tainted Space
        • Opening Up on Mhen’ga: Amber Changes the Game
        • Crew as Community
        • Relationship Anarchy Among the Stars
        • Afterword
      • Pronoun Page
        • How to Read This Page
        • The Legend Is the Argument
        • Word Soup, Not a Cage
        • Why Precision Became Necessary
        • The Page as Self-Clarification
        • Online and In-Person Are Different
        • A Virtual Girl
        • Pronouns as Recognition
        • Okay, Habit, and Singling Out
        • Warmth Is Not Ownership
        • Labels That Claim Too Much
        • Affection Is Not Romance
        • Consent as an Ongoing Conversation
        • A History Without Demanded Disclosure
        • The Exception That Proves the Rule
        • Conclusion: A Self-Protective Language System
      • Ps1lowpoly
        • Page 1
        • Early Low-Poly 3D: Console Limitations Shaping an Aesthetic
        • From Quirk to Art Form: Low-Poly Revival and Nostalgia
        • Modern Low-Poly in Contemporary Media and Art
        • Super Mario 64
        • Indie Animators and Series
        • Comedy Skits and Memes
        • Cozy vs. Creepy
        • Interview with an Appreciator
        • Conclusion
        • Afterword Fave (Interviewee)
      • Saved My Life
        • My Relationship With Food
        • My Trip to the Hospital
        • What My Journey Looks Like Now
        • Re-Learning My Purpose
        • Afterword
      • Slowart
        • Page 1
        • Additive
        • Subtractive (Decay)
        • Performative
        • Slow-Change (Growth)
        • Latent Activation
        • Pilgrimage
        • Witnessing
        • Conclusion: Embracing the Art of Slow Moments
      • Valentine
        • Page 1
        • A Sweet Gesture After Lockdown
        • Yearning vs. Attraction
        • Thought Experiments with a Safety Net
        • The Fun of Shipping (Even for the Aro-Ace Crowd)
        • Conclusion: Choose Your Own Valentine
        • Afterword
    • Original
      • 2024-09 September
      • 2024-10 October
      • 2024-11 November
      • 2024-12 December
      • 2025-01 January
      • 2025-02 February
      • 2025-03 March
      • 2025-04 April
      • 2025-05 May
      • 2025-06 June
      • 2025-07 July
      • 2025-08 August
      • 2025-09 September
      • 2025-10 October
      • 2025-11 November
      • 2025-12 December
      • 2026-01 January
      • 2026-02 February
      • 2026-03 March
      • 2026-04 April
      • 2026-05 May
      • 2026-06 June
      • 2026-07 July
  • Stories
    • Fanmade
      • Daggerheart
        • CiCi
          • Page 1
          • Page 2
      • Dnd
        • Azurion Nightfall
          • Page 1
        • Little
          • Page 1
      • History
        • Prahlada and Malala
          • Page 1
          • Page 2
          • Page 3
          • Page 4
          • Page 5
          • Page 6
          • Page 7
          • Page 8
          • Page 9
          • Page 10
      • My Little Pony
        • Stellar Redux
          • Page 1
          • Page 2
          • Page 3
          • Page 4
      • Pathfinder
        • Occupation on Vesk 3
          • Page 1
          • Page 2
          • Page 3
          • Page 4
      • Satisfactory
        • Everroot
          • Page 1
        • Reaper and ADA
          • Chapter 1
          • Chapter 2
          • Chapter 3
          • Chapter 4
          • Chapter 5
          • Chapter 6
          • Chapter 7
          • Chapter 8
      • Star Trek
        • USS Mesa
          • Page 1
          • Page 2
          • Page 3
      • Star Wars
        • Protocols and Princesses
          • Page 1
        • Shakka'Dira
          • Page 1
          • Page 2
          • Page 3
          • Page 4
          • Page 5
          • Page 6
          • Page 7
          • Page 8
          • Page 9
      • Trolls
        • Rave and Relaxation
          • Page 1
    • Original
      • Motes and Mycelium
        • Main Story
          • Page 1
          • Page 2
          • Page 3
          • Page 4
          • Page 5
          • Page 6
          • Page 7
          • Page 8
          • Page 9
          • Page 10
      • Neon Fairy Lights
        • Main Story
          • Page 1
          • Page 2
          • Page 3
          • Page 4
          • Page 5
          • Page 6
          • Page 7
          • Page 8
          • Page 9
          • Page 10
          • Page 11
          • Page 12
          • Page 13
          • Page 14
          • Page 15
      • Northern Lights
        • Main Story
          • Page 1
          • Page 2
          • Page 3
          • Page 4
          • Page 5
          • Page 6
      • Virtual World
        • Commands
          • 01 Bash
          • 02 Cat
          • 03 Ping
          • 04 Mint
          • 05 Vi
          • 06 Echo
          • 07 Dig
          • 08 Tar
          • 09 Sudo
          • 10 Kali
          • 11 Nano
          • 12 RPM
          • 13 Tail
          • 14 Grep
          • 15 Cron
          • 16 Alma
          • 17 Shell
          • 18 Yaml
          • 19 Sed
          • 20 Curl
        • Five Stories
          • 01 Cautious 01
          • 02 Desperate 01
          • 03 Fading 01
          • 04 Cautious 02
          • 05 Indifferent 01
          • 06 Gentle 01
          • 07 Cautious 03
          • 08 Desperate 02
          • 09 Fading 02
          • 10 Cautious 04
          • 11 Indifferent 02
          • 12 Gentle 02
          • 13 Cautious 05
          • 14 Desperate 03
          • 15 Fading 03
          • 16 Cautious 06
          • 17 Indifferent 03
          • 18 Gentle 03
          • 19 Cautious 07
          • 20 Desperate 04
          • 21 Fading 04
          • 22 Cautious 08
          • 23 Indifferent 04
          • 24 Gentle 04
          • 25 Cautious 09
          • 26 Desperate 05
          • 27 Fading 05
          • 28 Cautious 10
          • 29 Indifferent 05
          • 30 Gentle 05
          • 31 Cautious 11
          • 32 Desperate 06
          • 33 Fading 06
          • 34 Cautious 12
          • 35 Indifferent 06
          • 36 Gentle 06
        • Main Story
          • Page 1
          • Page 2
          • Page 3
          • Page 4
          • Page 5
          • Page 6
          • Page 7

The Legend Is the Argument

To understand the pronoun page, it helps to understand the legend. The color categories are actually from my favorite color palette. Not specifically the colors displayed, but their general named color is right out of the palette that started it all. The only color I was missing was purple, really. It comes from my story, Virtual World, and actually the harbinger of the term “A Virtual Girl.”

Pronoun Page Legend
= Okay
custom, added by the user:= In-Person= In-Person/Online= Online= Avoid= Never

“A Virtual Girl” is my phrase for the feminine online persona/self I inhabit on the internet. It is not simply a character, a roleplay account, or a joke label; it is a real part of how I experience myself online.

Daisy’s character reference sheet, showing her signature pink-and-blue accessories.
Daisy’s character reference sheet, showing her signature pink-and-blue accessories.

The blue, or in my story light blue, and pink are from Daisy’s accessories. That might sound minimal, but if you know character design then you know that those types of choices, made consistently, end up becoming branding. Specifically, she wears light blue accessories on the left side, such as painted nails, scrunchies, or hair clips. Then, on the right side, or central if an asymmetrical outfit but at least more to the right than what the light blue side had, she wears pink accessories like a big bow for a ponytail, and again the scrunchies, hair clips, and painted nails on her right hand. She would even hold things like two lightsabers (or copyright generic laser swords) with one shining pink and the other light blue in each respective hand. That is consistent branding, to the point that seeing another character with any accessory in that left/right arrangement in those colors makes someone go “oh Daisy!” Or maybe the left and right are swapped and they go “that’s wrong,” but playfully because it’s a different character and thus not constrained by that character design rule.

And yes, the light blue and pink are chosen specifically with the intent to convey light blue as boy and pink as girl. Yes, reinforcing that color change for masculine and feminine is a side effect, and I think pink could be, and historically has been, a masculine choice. But I was always more interested in the contrast of the colors. Daisy does not have a “feminine” or “masculine” literal side of herself. It was always the contrast between those two colors that showed the divide I wanted to show. Daisy’s character has a male body in real life within the story, but in the virtual “full dive” reality game, where the game is as real as real life, she has the girl avatar with those color choices.

And that’s just the first two colors. Green is because of Daisy’s eyes. They are bright green and exceptionally identifiable due to their brilliance. I put them as green as green can be for computer monitors at least. Since they use red, green, and blue to reproduce any color, I just do maximum green. Same with red: her hair is red, but the bright red being pure red. As red as red can go, again tying into the digitalness of her by letting it be the pure red of a display’s sub-pixels, since red, green, and blue make up three parts of a traditional pixel.

Annie’s character reference sheet, drawn by me.
Annie’s character reference sheet, drawn by me.

The yellow comes from another character’s color palette: Annie, Daisy’s best friend and queerplatonic partner, meaning individuals devoted to each other, outside of the traditional relationship hierarchy. More specifically, a queerplatonic bestfriendship, though that’s more of a term I made up for my own characters rather than something well documented in LGBT and queer theory. Annie’s hair is yellow, and similar to Daisy’s hair, it’s just a convenience to be associated with a stop sign, no deeper connection. Interesting that avoid and never are both hair colors, but that’s just how color palettes go. The last thing is purple. Annie’s eyes are purple, and with that color palette, that describes all of my two characters. I did not use purple in the pronoun page.

That character-color history then becomes the page’s logic. Green is also stop sign logic, because it’s terms that are always permissible, online and in person. Full go for those terms; they’re something I’m always good with.

@katsumi_maki’s Avatar

@katsumi_maki

Words

Ways to refer to me

  • …
  • boyfriend
  • husband

Group terms

  • …
  • throuple
  • …

Content boundaries

  • …
  • Gore/Blood
  • …
@katsumi_maki’s Avatar

@katsumi_maki

A Virtual Girl.

Pronouns and words are separated between In-person, Online, or In-person/Online. In-person only infers that the term is not really for online (and vice-versa). Terms that are Okay are for terms you shouldn't go out of your way to refer to me with, but it's fine if you do by habit.

Avoid and Never are for words or conversation topics to either avoid (or approach with caution) or never talk about, respectively.

Age: 26

My local time is loading…

  • Asexual
  • Aromantic
  • Agender
  • A rectangular flag with four equal-width horizontal stripes: black, grey, white, purpleA rectangular flag with five equal-width horizontal stripes: green, light green, white, grey, blackA rectangular flag with seven equal-width horizontal stripes: black, grey, white, lime green, white, grey, black

Names

  • Dan
  • Katsumi Maki
  • Katsumi
  • Maki
  • Sweetie Bot

Pronouns

  • he/him
  • it/its
  • they/them
  • she/her

Links

  • bA3
  • Pronouns.page/@katsumi_maki

Words

Honorifics

  • Mr.
  • Professor
  • Sir
  • [no honorific]
  • Mx.
  • Ms.
  • Ma’am
  • Madam
  • Princess

Ways to refer to me

  • man
  • boy
  • buddy
  • dude
  • person
  • friend
  • girl
  • girlfriend
  • bbg
  • boo
  • sister
  • darling
  • princess
  • daughter
  • honey
  • boyfriend
  • husband

Group terms

  • boys
  • dudes
  • guys
  • folks
  • besties
  • girlies
  • ladies
  • queens
  • trio
  • triad
  • gang
  • polycule
  • throuple
  • threesome
  • honey in the middle

Content boundaries

  • SA/harassment
  • Self-harm
  • Kissing
  • Assumed consent; no confirmation
  • Orgy/Threesomes+
  • Gore/Blood
  • Pedo
  • R34 of any fandom except anime
= Okay
custom, added by the user:= In-Person= In-Person/Online= Online= Avoid= Never
Card created: 2026-07-09Card last updated: 2026-07-23

Red is used in my pronoun page as “never.” Not that Daisy’s hair is never; that connection is a bit more loose. No, it’s never because red, in U.S. graphic design, signifies “stop” like a stop sign. Never is the term I use because I want people to “never bring it up.” That’s reserved for terms that I just cannot enjoy when they are used to refer to me, or conversation topics that I will never want to have with anyone, mainly connected to mental health reasons.

@katsumi_maki’s Avatar

@katsumi_maki

Words

Content boundaries

  • SA/harassment
  • Self-harm
  • …
@katsumi_maki’s Avatar

@katsumi_maki

A Virtual Girl.

Pronouns and words are separated between In-person, Online, or In-person/Online. In-person only infers that the term is not really for online (and vice-versa). Terms that are Okay are for terms you shouldn't go out of your way to refer to me with, but it's fine if you do by habit.

Avoid and Never are for words or conversation topics to either avoid (or approach with caution) or never talk about, respectively.

Age: 26

My local time is loading…

  • Asexual
  • Aromantic
  • Agender
  • A rectangular flag with four equal-width horizontal stripes: black, grey, white, purpleA rectangular flag with five equal-width horizontal stripes: green, light green, white, grey, blackA rectangular flag with seven equal-width horizontal stripes: black, grey, white, lime green, white, grey, black

Names

  • Dan
  • Katsumi Maki
  • Katsumi
  • Maki
  • Sweetie Bot

Pronouns

  • he/him
  • it/its
  • they/them
  • she/her

Links

  • bA3
  • Pronouns.page/@katsumi_maki

Words

Honorifics

  • Mr.
  • Professor
  • Sir
  • [no honorific]
  • Mx.
  • Ms.
  • Ma’am
  • Madam
  • Princess

Ways to refer to me

  • man
  • boy
  • buddy
  • dude
  • person
  • friend
  • girl
  • girlfriend
  • bbg
  • boo
  • sister
  • darling
  • princess
  • daughter
  • honey
  • boyfriend
  • husband

Group terms

  • boys
  • dudes
  • guys
  • folks
  • besties
  • girlies
  • ladies
  • queens
  • trio
  • triad
  • gang
  • polycule
  • throuple
  • threesome
  • honey in the middle

Content boundaries

  • SA/harassment
  • Self-harm
  • Kissing
  • Assumed consent; no confirmation
  • Orgy/Threesomes+
  • Gore/Blood
  • Pedo
  • R34 of any fandom except anime
= Okay
custom, added by the user:= In-Person= In-Person/Online= Online= Avoid= Never
Card created: 2026-07-09Card last updated: 2026-07-23

Yellow is “avoid.” It uses the same stop sign logic as a warning, as a yellow light is warning that it’s about to go red. I separate the two: the first “avoid” set of content boundaries is for words or conversation topics to either avoid or approach with caution, and the second “never” set of content boundaries is to never talk about. “Do not mention” is for the “never” options, while the “avoid” options can mean ask before mentioning, tag clearly, or only discuss seriously and carefully. They are urged to approach with caution, but it technically can be had as a conversation if done carefully.

The one uncolored legend item is “Okay,” and it’s for terms that are okay to use for me if they aren’t singling me out and are done by habit, not intent. I don’t hate hearing them, but they’re not something I would ask for. This is uncolored because it’s the default “Okay” legend item that ships with the pronoun page, and most users will recognize it and be able to connect its use with other profile pages that they have seen. Keeping it default also shows that I’m recognizing that the terms I’m listing are “default” terms, so if people do default to them, I’m still okay with it. I don’t disown or discredit these terms.

@katsumi_maki’s Avatar

@katsumi_maki

Pronouns

  • …
  • they/them
  • …

Words

Honorifics

  • …
  • Sir
  • …

Ways to refer to me

  • …
  • dude
  • …

Group terms

  • …
  • dudes
  • …
@katsumi_maki’s Avatar

@katsumi_maki

A Virtual Girl.

Pronouns and words are separated between In-person, Online, or In-person/Online. In-person only infers that the term is not really for online (and vice-versa). Terms that are Okay are for terms you shouldn't go out of your way to refer to me with, but it's fine if you do by habit.

Avoid and Never are for words or conversation topics to either avoid (or approach with caution) or never talk about, respectively.

Age: 26

My local time is loading…

  • Asexual
  • Aromantic
  • Agender
  • A rectangular flag with four equal-width horizontal stripes: black, grey, white, purpleA rectangular flag with five equal-width horizontal stripes: green, light green, white, grey, blackA rectangular flag with seven equal-width horizontal stripes: black, grey, white, lime green, white, grey, black

Names

  • Dan
  • Katsumi Maki
  • Katsumi
  • Maki
  • Sweetie Bot

Pronouns

  • he/him
  • it/its
  • they/them
  • she/her

Links

  • bA3
  • Pronouns.page/@katsumi_maki

Words

Honorifics

  • Mr.
  • Professor
  • Sir
  • [no honorific]
  • Mx.
  • Ms.
  • Ma’am
  • Madam
  • Princess

Ways to refer to me

  • man
  • boy
  • buddy
  • dude
  • person
  • friend
  • girl
  • girlfriend
  • bbg
  • boo
  • sister
  • darling
  • princess
  • daughter
  • honey
  • boyfriend
  • husband

Group terms

  • boys
  • dudes
  • guys
  • folks
  • besties
  • girlies
  • ladies
  • queens
  • trio
  • triad
  • gang
  • polycule
  • throuple
  • threesome
  • honey in the middle

Content boundaries

  • SA/harassment
  • Self-harm
  • Kissing
  • Assumed consent; no confirmation
  • Orgy/Threesomes+
  • Gore/Blood
  • Pedo
  • R34 of any fandom except anime
= Okay
custom, added by the user:= In-Person= In-Person/Online= Online= Avoid= Never
Card created: 2026-07-09Card last updated: 2026-07-23

That is why skimming the page can go wrong. Someone might understand the color difference most visibly and see feminine terms in pink. Then the misunderstanding could be that I want feminine terms all the time. Really, it’s just feminine terms online.