… //A History Without Demanded Disclosure
katsumimaki.com
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    • Fanmade
      • Anti Group Tendencies
        • Page 1
        • Belonging & Community
        • Meaning & Purpose
        • Identity & Self-Definition
        • Structure & Certainty
        • Catharsis & Emotional Outlet
        • Leadership & Guidance
        • Life as an “Anti-Group”
        • Afterword
      • Burnout
        • Page 1
        • Afterword
      • Clothes Are Clothes
        • Introduction: Clothing, Naming, and the Problem of Categories
        • I. Crossdressing, Feminine Clothes, and the Accuracy of the Words
        • II. Aesthetic Practice Rather Than Gender Performance
        • III. Gendered Dress Codes and the Social Friction of Events
        • IV. Being Read as Male, Being Misread, and Pronouns
        • V. Inclusive Language, Humor, and Reducing Social Friction
        • VI. Assumptions, Origin Stories, and the Stakes of "Just Wear Pants"
        • VII. What I Want to Claim
      • Empathy
        • Page 1
        • Afterword
      • Friendswithyou
        • Origins in Miami: Seeds of a Playful Universe (2002–2004)
        • Building a World of Play: Interactive Installations (2005–2009)
        • Rainbow City: Exploding onto the Global Stage (2010–2012)
        • Animism, Art, and “Happy Virus”: A Philosophy of Play
        • Collaborations and Pop Culture Crossovers (2013–2017)
        • Post-Internet Explorations: From Virtual Worlds to NFTs (2015–2022)
        • Conclusion: Pop Spiritualists in a Connected Era
        • Afterword
      • From Dada Collages To Ai Art
        • Introduction and Personal Motivation
        • Dadaism: Collage and the Original “Anti-Art” Movement
        • AI-Generated Art: Algorithms as the New Collage
        • Comparing Dadaism and “AI-Artism”
        • Modality and Technique: Collage vs. Computation
        • Origins and Intentions: Art Movement vs. Tech Innovation
        • Reception and Cultural Impact: Anti-Art Manifesto vs. Existential Disruption
        • Outcomes and Future Trajectories: Lessons from Dada for AI Art
        • Conclusion: Art, AI, and Accessibility – A Personal Reflection
      • Healing from Trauma
        • Page 1
        • The Reaction Before the Origin Story
        • The Question I Cannot Fully Answer
        • The Earlier Papers, for Readers Who Are New Here
        • The Video That Made Me Want to Write This
        • The Trauma in the Middle
        • What Actually Healed
        • The Middle Path: Not Erasure, Not Perseveration
        • Afterword
      • Lights Sound Printing
        • Page 1
        • Lighting: High Color Fidelity vs. Spectral Restriction
        • Audio: Theatre Mic Techniques for a Hybrid D&D Game
        • Digital Fabrication: From Desktop 3D Printing to Stage-Size Scenery
        • Conclusion: Personal Reflections on Tech in Theatre
        • Afterword
      • Littlespaces
        • Overalls and Feeling Small
        • Voluntary vs. Involuntary Age Regression
        • Stress, Comfort, and Little Space
        • Age Regression vs. Age Play
        • The ABDL Identity and Spectrum
        • Community Norms, Safety, and Stigma
        • Unpacking Misconceptions
        • Afterword
      • Mannequins
        • I. The Enduring Allure of Mannequins
        • II. The Material and Historical Trajectory of Mannequins
        • Evolution from Functional Forms to Lifelike Figures
        • The Fiberglass Revolution: Durability and Mass Production
        • III. Mannequins as Cultural Artifacts: From Discarded to Desired
        • The Paradox of Invisibility and Persistent Presence
        • Sustainable Second Lives: The Mannequin Madness Model (Judi Henderson)
        • Case Studies Of Mannequin Reuse
        • The Uncanny Valley: Mannakin Hall as Experiential Art (Roz Edwards)
        • IV. Mannequins in the Human Imagination: Companionship and Projection
        • V. Reflections on Mannequin Endurance: A Personal Synthesis
      • Monoline
        • Origins, Purpose, and Brief History
        • Shel Silverstein’s Expressive Monoline Style
        • From Viral Outlines to Indie Cartoons: Monoline’s Digital Revival
        • Ghs
        • Joel Haver
        • Ginjaninjaowo
        • Matthew Mccleskey
        • Thatoneguysanimations
        • Uzumaki Tegaki Clip
        • Shermys Forest And A Kind Remark
        • Bridging Traditional and Digital: Community Art and Personal Practice
        • The Commercial and Algorithmic Appeal of Monoline
        • Communities and Culture: Constraints as a Creative Identity
        • Conclusion and Personal Reflections
        • Afterword
      • Never Have I Ever: Kinks
        • About Me
        • Aromantic Asexual Autonomy
        • A Space for Kink Exploration: Trials in Tainted Space
        • Consent and Customization in a Kinky Universe
        • From Kink Exploration to Relational Ethics
        • Doe Steele: The Trials in Tainted Space
        • Opening Up on Mhen’ga: Amber Changes the Game
        • Crew as Community
        • Relationship Anarchy Among the Stars
        • Afterword
      • Pronoun Page
        • How to Read This Page
        • The Legend Is the Argument
        • Word Soup, Not a Cage
        • Why Precision Became Necessary
        • The Page as Self-Clarification
        • Online and In-Person Are Different
        • A Virtual Girl
        • Pronouns as Recognition
        • Okay, Habit, and Singling Out
        • Warmth Is Not Ownership
        • Labels That Claim Too Much
        • Affection Is Not Romance
        • Consent as an Ongoing Conversation
        • A History Without Demanded Disclosure
        • The Exception That Proves the Rule
        • Conclusion: A Self-Protective Language System
      • Ps1lowpoly
        • Page 1
        • Early Low-Poly 3D: Console Limitations Shaping an Aesthetic
        • From Quirk to Art Form: Low-Poly Revival and Nostalgia
        • Modern Low-Poly in Contemporary Media and Art
        • Super Mario 64
        • Indie Animators and Series
        • Comedy Skits and Memes
        • Cozy vs. Creepy
        • Interview with an Appreciator
        • Conclusion
        • Afterword Fave (Interviewee)
      • Saved My Life
        • My Relationship With Food
        • My Trip to the Hospital
        • What My Journey Looks Like Now
        • Re-Learning My Purpose
        • Afterword
      • Slowart
        • Page 1
        • Additive
        • Subtractive (Decay)
        • Performative
        • Slow-Change (Growth)
        • Latent Activation
        • Pilgrimage
        • Witnessing
        • Conclusion: Embracing the Art of Slow Moments
      • Valentine
        • Page 1
        • A Sweet Gesture After Lockdown
        • Yearning vs. Attraction
        • Thought Experiments with a Safety Net
        • The Fun of Shipping (Even for the Aro-Ace Crowd)
        • Conclusion: Choose Your Own Valentine
        • Afterword
    • Original
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  • Stories
    • Fanmade
      • Daggerheart
        • CiCi
          • Page 1
          • Page 2
      • Dnd
        • Azurion Nightfall
          • Page 1
        • Little
          • Page 1
      • History
        • Prahlada and Malala
          • Page 1
          • Page 2
          • Page 3
          • Page 4
          • Page 5
          • Page 6
          • Page 7
          • Page 8
          • Page 9
          • Page 10
      • My Little Pony
        • Stellar Redux
          • Page 1
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          • Page 3
          • Page 4
      • Pathfinder
        • Occupation on Vesk 3
          • Page 1
          • Page 2
          • Page 3
          • Page 4
      • Satisfactory
        • Everroot
          • Page 1
        • Reaper and ADA
          • Chapter 1
          • Chapter 2
          • Chapter 3
          • Chapter 4
          • Chapter 5
          • Chapter 6
          • Chapter 7
          • Chapter 8
      • Star Trek
        • USS Mesa
          • Page 1
          • Page 2
          • Page 3
      • Star Wars
        • Protocols and Princesses
          • Page 1
        • Shakka'Dira
          • Page 1
          • Page 2
          • Page 3
          • Page 4
          • Page 5
          • Page 6
          • Page 7
          • Page 8
          • Page 9
      • Trolls
        • Rave and Relaxation
          • Page 1
    • Original
      • Motes and Mycelium
        • Main Story
          • Page 1
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          • Page 3
          • Page 4
          • Page 5
          • Page 6
          • Page 7
          • Page 8
          • Page 9
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      • Neon Fairy Lights
        • Main Story
          • Page 1
          • Page 2
          • Page 3
          • Page 4
          • Page 5
          • Page 6
          • Page 7
          • Page 8
          • Page 9
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          • Page 11
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          • Page 13
          • Page 14
          • Page 15
      • Northern Lights
        • Main Story
          • Page 1
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          • Page 3
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          • Page 6
      • Virtual World
        • Commands
          • 01 Bash
          • 02 Cat
          • 03 Ping
          • 04 Mint
          • 05 Vi
          • 06 Echo
          • 07 Dig
          • 08 Tar
          • 09 Sudo
          • 10 Kali
          • 11 Nano
          • 12 RPM
          • 13 Tail
          • 14 Grep
          • 15 Cron
          • 16 Alma
          • 17 Shell
          • 18 Yaml
          • 19 Sed
          • 20 Curl
        • Five Stories
          • 01 Cautious 01
          • 02 Desperate 01
          • 03 Fading 01
          • 04 Cautious 02
          • 05 Indifferent 01
          • 06 Gentle 01
          • 07 Cautious 03
          • 08 Desperate 02
          • 09 Fading 02
          • 10 Cautious 04
          • 11 Indifferent 02
          • 12 Gentle 02
          • 13 Cautious 05
          • 14 Desperate 03
          • 15 Fading 03
          • 16 Cautious 06
          • 17 Indifferent 03
          • 18 Gentle 03
          • 19 Cautious 07
          • 20 Desperate 04
          • 21 Fading 04
          • 22 Cautious 08
          • 23 Indifferent 04
          • 24 Gentle 04
          • 25 Cautious 09
          • 26 Desperate 05
          • 27 Fading 05
          • 28 Cautious 10
          • 29 Indifferent 05
          • 30 Gentle 05
          • 31 Cautious 11
          • 32 Desperate 06
          • 33 Fading 06
          • 34 Cautious 12
          • 35 Indifferent 06
          • 36 Gentle 06
        • Main Story
          • Page 1
          • Page 2
          • Page 3
          • Page 4
          • Page 5
          • Page 6
          • Page 7

A History Without Demanded Disclosure

The boundary column also has to be understood through healing pace. My path can heal. It’s not tossing in the towel and saying “I can’t do this anymore.” I even wrote in the aforementioned “Healing from Trauma” paper that I am taking that middle path to recovery: not perseverating on it and making it worse, and not attempting to forget it from my life. However, the big, important takeaway is that I am interacting with it intentionally and at my own pace.

Others bringing up these topics or referring to me as these terms, even if unintentionally, is not respecting my pace of healing. No one would help me by starting a dialog on these subjects because they are listed in my pronoun page. It might be even worse if they did so, because then I know they read to avoid the terms and then purposefully approached me with the same terms that I publicly stated are bad for me. Again, I can heal at my own pace. Someone asking me about them out of the blue is not encouraging that healing.

The yellow and red topics are probably all of the categories named: things I dislike, things that trigger me, things that derail me, things that feel unsafe. Some might lean heavier to any individual category, but others may be mixes of all of them. For example, the terms that refer to polyamory will derail me. I’ll fixate on that term being used, and especially if I was included in that term, even just an avoid term rather than never, since the never ones are the worst, I will spiral mentally. Internally, of course, and I won’t be able to process that emotion for quite some time, usually after the conversation has gone by. And I’ll have intrusive thoughts replay it later in that day, or weeks later, months, who knows.

@katsumi_maki’s Avatar

@katsumi_maki

Words

Group terms

  • …
  • trio
  • triad
  • gang
  • polycule
  • throuple
  • threesome
  • honey in the middle

Content boundaries

  • SA/harassment
  • Self-harm
  • Kissing
  • Assumed consent; no confirmation
  • Orgy/Threesomes+
  • Gore/Blood
  • Pedo
  • R34 of any fandom except anime
@katsumi_maki’s Avatar

@katsumi_maki

A Virtual Girl.

Pronouns and words are separated between In-person, Online, or In-person/Online. In-person only infers that the term is not really for online (and vice-versa). Terms that are Okay are for terms you shouldn't go out of your way to refer to me with, but it's fine if you do by habit.

Avoid and Never are for words or conversation topics to either avoid (or approach with caution) or never talk about, respectively.

Age: 26

My local time is loading…

  • Asexual
  • Aromantic
  • Agender
  • A rectangular flag with four equal-width horizontal stripes: black, grey, white, purpleA rectangular flag with five equal-width horizontal stripes: green, light green, white, grey, blackA rectangular flag with seven equal-width horizontal stripes: black, grey, white, lime green, white, grey, black

Names

  • Dan
  • Katsumi Maki
  • Katsumi
  • Maki
  • Sweetie Bot

Pronouns

  • he/him
  • it/its
  • they/them
  • she/her

Links

  • bA3
  • Pronouns.page/@katsumi_maki

Words

Honorifics

  • Mr.
  • Professor
  • Sir
  • [no honorific]
  • Mx.
  • Ms.
  • Ma’am
  • Madam
  • Princess

Ways to refer to me

  • man
  • boy
  • buddy
  • dude
  • person
  • friend
  • girl
  • girlfriend
  • bbg
  • boo
  • sister
  • darling
  • princess
  • daughter
  • honey
  • boyfriend
  • husband

Group terms

  • boys
  • dudes
  • guys
  • folks
  • besties
  • girlies
  • ladies
  • queens
  • trio
  • triad
  • gang
  • polycule
  • throuple
  • threesome
  • honey in the middle

Content boundaries

  • SA/harassment
  • Self-harm
  • Kissing
  • Assumed consent; no confirmation
  • Orgy/Threesomes+
  • Gore/Blood
  • Pedo
  • R34 of any fandom except anime
= Okay
custom, added by the user:= In-Person= In-Person/Online= Online= Avoid= Never
Card created: 2026-07-09Card last updated: 2026-07-23

But it’s something I have coping mechanisms for, and some are more successful than others. Many of them need a certain space or item or whatever to let me use them to get through it. It might be a favorite song, or a cartoon, or not even a distraction but possibly me addressing my emotions by writing thousands of words in a research paper. The “Healing from Trauma” paper was written in a matter of a few days. I jokingly called it an “emergency research paper” because I already had a paper that was ready to go out that month, but this one took priority and I had only started it from some triggering conversation. Writing it was my way of coping, and I’m glad I wrote it because I was able to see how far I’ve come.

I would hope people would assume all items in the final column are serious, and in my best interest I think I’d like to keep my conversations about them as one-way. That I can write about them in a research paper, post it online, quite brave of me, I suppose, and then just have it be left at that. If they were a super good friend, they would get away with a little more, but those are also the relationships that can hurt you the worst, so I’m not sure what I would do about that little gamble.

@katsumi_maki’s Avatar

@katsumi_maki

Words

Content boundaries

  • SA/harassment
  • Self-harm
  • Kissing
  • Assumed consent; no confirmation
  • …
@katsumi_maki’s Avatar

@katsumi_maki

A Virtual Girl.

Pronouns and words are separated between In-person, Online, or In-person/Online. In-person only infers that the term is not really for online (and vice-versa). Terms that are Okay are for terms you shouldn't go out of your way to refer to me with, but it's fine if you do by habit.

Avoid and Never are for words or conversation topics to either avoid (or approach with caution) or never talk about, respectively.

Age: 26

My local time is loading…

  • Asexual
  • Aromantic
  • Agender
  • A rectangular flag with four equal-width horizontal stripes: black, grey, white, purpleA rectangular flag with five equal-width horizontal stripes: green, light green, white, grey, blackA rectangular flag with seven equal-width horizontal stripes: black, grey, white, lime green, white, grey, black

Names

  • Dan
  • Katsumi Maki
  • Katsumi
  • Maki
  • Sweetie Bot

Pronouns

  • he/him
  • it/its
  • they/them
  • she/her

Links

  • bA3
  • Pronouns.page/@katsumi_maki

Words

Honorifics

  • Mr.
  • Professor
  • Sir
  • [no honorific]
  • Mx.
  • Ms.
  • Ma’am
  • Madam
  • Princess

Ways to refer to me

  • man
  • boy
  • buddy
  • dude
  • person
  • friend
  • girl
  • girlfriend
  • bbg
  • boo
  • sister
  • darling
  • princess
  • daughter
  • honey
  • boyfriend
  • husband

Group terms

  • boys
  • dudes
  • guys
  • folks
  • besties
  • girlies
  • ladies
  • queens
  • trio
  • triad
  • gang
  • polycule
  • throuple
  • threesome
  • honey in the middle

Content boundaries

  • SA/harassment
  • Self-harm
  • Kissing
  • Assumed consent; no confirmation
  • Orgy/Threesomes+
  • Gore/Blood
  • Pedo
  • R34 of any fandom except anime
= Okay
custom, added by the user:= In-Person= In-Person/Online= Online= Avoid= Never
Card created: 2026-07-09Card last updated: 2026-07-23

I have developed redirecting techniques when the conversation takes turns that I don’t want to go down. I am able to respectfully turn it away or mitigate any of the worst effects of that type of conversation. To approach with caution well means asking if I’m okay with talking about something and listening to how deep I want to take the conversation rather than confronting me with issues and demanding answers.

There may be a gentler way to ask about the red/yellow boundary column, but only if the person is close. Even if they are close, I will redirect them to do their research beforehand on my website. I have written about a lot of these issues I’ve had and even begun to heal from, such as the “Healing from Trauma” paper I keep talking about. I will address these topics in my own time, with intent and care. I do not want them dumped on me because someone is curious or wants to get to know me better. Putting that in my face without reading what I’ve already released is asking me to take off a bandaid and reopen a wound because they weren’t there to see me fall and hurt myself in the first place.

If they were there, then I apologize for not being brave enough to send them the research paper I wrote about them years after everything happened. But I was brave enough to write it, so please read that first and if they have any remaining questions, we will cross that bridge when we get to it. If we get to it. I need my time, my space, even if I’m bad at asking for it in the moment.