… //A Virtual Girl
katsumimaki.com
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      • Anti Group Tendencies
        • Page 1
        • Belonging & Community
        • Meaning & Purpose
        • Identity & Self-Definition
        • Structure & Certainty
        • Catharsis & Emotional Outlet
        • Leadership & Guidance
        • Life as an “Anti-Group”
        • Afterword
      • Burnout
        • Page 1
        • Afterword
      • Clothes Are Clothes
        • Introduction: Clothing, Naming, and the Problem of Categories
        • I. Crossdressing, Feminine Clothes, and the Accuracy of the Words
        • II. Aesthetic Practice Rather Than Gender Performance
        • III. Gendered Dress Codes and the Social Friction of Events
        • IV. Being Read as Male, Being Misread, and Pronouns
        • V. Inclusive Language, Humor, and Reducing Social Friction
        • VI. Assumptions, Origin Stories, and the Stakes of "Just Wear Pants"
        • VII. What I Want to Claim
      • Empathy
        • Page 1
        • Afterword
      • Friendswithyou
        • Origins in Miami: Seeds of a Playful Universe (2002–2004)
        • Building a World of Play: Interactive Installations (2005–2009)
        • Rainbow City: Exploding onto the Global Stage (2010–2012)
        • Animism, Art, and “Happy Virus”: A Philosophy of Play
        • Collaborations and Pop Culture Crossovers (2013–2017)
        • Post-Internet Explorations: From Virtual Worlds to NFTs (2015–2022)
        • Conclusion: Pop Spiritualists in a Connected Era
        • Afterword
      • From Dada Collages To Ai Art
        • Introduction and Personal Motivation
        • Dadaism: Collage and the Original “Anti-Art” Movement
        • AI-Generated Art: Algorithms as the New Collage
        • Comparing Dadaism and “AI-Artism”
        • Modality and Technique: Collage vs. Computation
        • Origins and Intentions: Art Movement vs. Tech Innovation
        • Reception and Cultural Impact: Anti-Art Manifesto vs. Existential Disruption
        • Outcomes and Future Trajectories: Lessons from Dada for AI Art
        • Conclusion: Art, AI, and Accessibility – A Personal Reflection
      • Healing from Trauma
        • Page 1
        • The Reaction Before the Origin Story
        • The Question I Cannot Fully Answer
        • The Earlier Papers, for Readers Who Are New Here
        • The Video That Made Me Want to Write This
        • The Trauma in the Middle
        • What Actually Healed
        • The Middle Path: Not Erasure, Not Perseveration
        • Afterword
      • Lights Sound Printing
        • Page 1
        • Lighting: High Color Fidelity vs. Spectral Restriction
        • Audio: Theatre Mic Techniques for a Hybrid D&D Game
        • Digital Fabrication: From Desktop 3D Printing to Stage-Size Scenery
        • Conclusion: Personal Reflections on Tech in Theatre
        • Afterword
      • Littlespaces
        • Overalls and Feeling Small
        • Voluntary vs. Involuntary Age Regression
        • Stress, Comfort, and Little Space
        • Age Regression vs. Age Play
        • The ABDL Identity and Spectrum
        • Community Norms, Safety, and Stigma
        • Unpacking Misconceptions
        • Afterword
      • Mannequins
        • I. The Enduring Allure of Mannequins
        • II. The Material and Historical Trajectory of Mannequins
        • Evolution from Functional Forms to Lifelike Figures
        • The Fiberglass Revolution: Durability and Mass Production
        • III. Mannequins as Cultural Artifacts: From Discarded to Desired
        • The Paradox of Invisibility and Persistent Presence
        • Sustainable Second Lives: The Mannequin Madness Model (Judi Henderson)
        • Case Studies Of Mannequin Reuse
        • The Uncanny Valley: Mannakin Hall as Experiential Art (Roz Edwards)
        • IV. Mannequins in the Human Imagination: Companionship and Projection
        • V. Reflections on Mannequin Endurance: A Personal Synthesis
      • Monoline
        • Origins, Purpose, and Brief History
        • Shel Silverstein’s Expressive Monoline Style
        • From Viral Outlines to Indie Cartoons: Monoline’s Digital Revival
        • Ghs
        • Joel Haver
        • Ginjaninjaowo
        • Matthew Mccleskey
        • Thatoneguysanimations
        • Uzumaki Tegaki Clip
        • Shermys Forest And A Kind Remark
        • Bridging Traditional and Digital: Community Art and Personal Practice
        • The Commercial and Algorithmic Appeal of Monoline
        • Communities and Culture: Constraints as a Creative Identity
        • Conclusion and Personal Reflections
        • Afterword
      • Never Have I Ever: Kinks
        • About Me
        • Aromantic Asexual Autonomy
        • A Space for Kink Exploration: Trials in Tainted Space
        • Consent and Customization in a Kinky Universe
        • From Kink Exploration to Relational Ethics
        • Doe Steele: The Trials in Tainted Space
        • Opening Up on Mhen’ga: Amber Changes the Game
        • Crew as Community
        • Relationship Anarchy Among the Stars
        • Afterword
      • Pronoun Page
        • How to Read This Page
        • The Legend Is the Argument
        • Word Soup, Not a Cage
        • Why Precision Became Necessary
        • The Page as Self-Clarification
        • Online and In-Person Are Different
        • A Virtual Girl
        • Pronouns as Recognition
        • Okay, Habit, and Singling Out
        • Warmth Is Not Ownership
        • Labels That Claim Too Much
        • Affection Is Not Romance
        • Consent as an Ongoing Conversation
        • A History Without Demanded Disclosure
        • The Exception That Proves the Rule
        • Conclusion: A Self-Protective Language System
      • Ps1lowpoly
        • Page 1
        • Early Low-Poly 3D: Console Limitations Shaping an Aesthetic
        • From Quirk to Art Form: Low-Poly Revival and Nostalgia
        • Modern Low-Poly in Contemporary Media and Art
        • Super Mario 64
        • Indie Animators and Series
        • Comedy Skits and Memes
        • Cozy vs. Creepy
        • Interview with an Appreciator
        • Conclusion
        • Afterword Fave (Interviewee)
      • Saved My Life
        • My Relationship With Food
        • My Trip to the Hospital
        • What My Journey Looks Like Now
        • Re-Learning My Purpose
        • Afterword
      • Slowart
        • Page 1
        • Additive
        • Subtractive (Decay)
        • Performative
        • Slow-Change (Growth)
        • Latent Activation
        • Pilgrimage
        • Witnessing
        • Conclusion: Embracing the Art of Slow Moments
      • Valentine
        • Page 1
        • A Sweet Gesture After Lockdown
        • Yearning vs. Attraction
        • Thought Experiments with a Safety Net
        • The Fun of Shipping (Even for the Aro-Ace Crowd)
        • Conclusion: Choose Your Own Valentine
        • Afterword
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  • Stories
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      • Daggerheart
        • CiCi
          • Page 1
          • Page 2
      • Dnd
        • Azurion Nightfall
          • Page 1
        • Little
          • Page 1
      • History
        • Prahlada and Malala
          • Page 1
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          • Page 4
          • Page 5
          • Page 6
          • Page 7
          • Page 8
          • Page 9
          • Page 10
      • My Little Pony
        • Stellar Redux
          • Page 1
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          • Page 4
      • Pathfinder
        • Occupation on Vesk 3
          • Page 1
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          • Page 4
      • Satisfactory
        • Everroot
          • Page 1
        • Reaper and ADA
          • Chapter 1
          • Chapter 2
          • Chapter 3
          • Chapter 4
          • Chapter 5
          • Chapter 6
          • Chapter 7
          • Chapter 8
      • Star Trek
        • USS Mesa
          • Page 1
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          • Page 3
      • Star Wars
        • Protocols and Princesses
          • Page 1
        • Shakka'Dira
          • Page 1
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          • Page 3
          • Page 4
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      • Trolls
        • Rave and Relaxation
          • Page 1
    • Original
      • Motes and Mycelium
        • Main Story
          • Page 1
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      • Neon Fairy Lights
        • Main Story
          • Page 1
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          • Page 3
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      • Northern Lights
        • Main Story
          • Page 1
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          • Page 6
      • Virtual World
        • Commands
          • 01 Bash
          • 02 Cat
          • 03 Ping
          • 04 Mint
          • 05 Vi
          • 06 Echo
          • 07 Dig
          • 08 Tar
          • 09 Sudo
          • 10 Kali
          • 11 Nano
          • 12 RPM
          • 13 Tail
          • 14 Grep
          • 15 Cron
          • 16 Alma
          • 17 Shell
          • 18 Yaml
          • 19 Sed
          • 20 Curl
        • Five Stories
          • 01 Cautious 01
          • 02 Desperate 01
          • 03 Fading 01
          • 04 Cautious 02
          • 05 Indifferent 01
          • 06 Gentle 01
          • 07 Cautious 03
          • 08 Desperate 02
          • 09 Fading 02
          • 10 Cautious 04
          • 11 Indifferent 02
          • 12 Gentle 02
          • 13 Cautious 05
          • 14 Desperate 03
          • 15 Fading 03
          • 16 Cautious 06
          • 17 Indifferent 03
          • 18 Gentle 03
          • 19 Cautious 07
          • 20 Desperate 04
          • 21 Fading 04
          • 22 Cautious 08
          • 23 Indifferent 04
          • 24 Gentle 04
          • 25 Cautious 09
          • 26 Desperate 05
          • 27 Fading 05
          • 28 Cautious 10
          • 29 Indifferent 05
          • 30 Gentle 05
          • 31 Cautious 11
          • 32 Desperate 06
          • 33 Fading 06
          • 34 Cautious 12
          • 35 Indifferent 06
          • 36 Gentle 06
        • Main Story
          • Page 1
          • Page 2
          • Page 3
          • Page 4
          • Page 5
          • Page 6
          • Page 7

A Virtual Girl

@katsumi_maki’s Avatar

@katsumi_maki

A Virtual Girl.

Pronouns and words are separated between In-person, Online, or In-person/Online. In-person only infers that the term is not really for online (and vice-versa). Terms that are Okay are for terms you shouldn't go out of your way to refer to me with, but it's fine if you do by habit.

Avoid and Never are for words or conversation topics to either avoid (or approach with caution) or never talk about, respectively.

Age: 26

My local time is loading…

  • Asexual
  • Aromantic
  • Agender
  • A rectangular flag with four equal-width horizontal stripes: black, grey, white, purpleA rectangular flag with five equal-width horizontal stripes: green, light green, white, grey, blackA rectangular flag with seven equal-width horizontal stripes: black, grey, white, lime green, white, grey, black
@katsumi_maki’s Avatar

@katsumi_maki

A Virtual Girl.

Pronouns and words are separated between In-person, Online, or In-person/Online. In-person only infers that the term is not really for online (and vice-versa). Terms that are Okay are for terms you shouldn't go out of your way to refer to me with, but it's fine if you do by habit.

Avoid and Never are for words or conversation topics to either avoid (or approach with caution) or never talk about, respectively.

Age: 26

My local time is loading…

  • Asexual
  • Aromantic
  • Agender
  • A rectangular flag with four equal-width horizontal stripes: black, grey, white, purpleA rectangular flag with five equal-width horizontal stripes: green, light green, white, grey, blackA rectangular flag with seven equal-width horizontal stripes: black, grey, white, lime green, white, grey, black

Names

  • Dan
  • Katsumi Maki
  • Katsumi
  • Maki
  • Sweetie Bot

Pronouns

  • he/him
  • it/its
  • they/them
  • she/her

Links

  • bA3
  • Pronouns.page/@katsumi_maki

Words

Honorifics

  • Mr.
  • Professor
  • Sir
  • [no honorific]
  • Mx.
  • Ms.
  • Ma’am
  • Madam
  • Princess

Ways to refer to me

  • man
  • boy
  • buddy
  • dude
  • person
  • friend
  • girl
  • girlfriend
  • bbg
  • boo
  • sister
  • darling
  • princess
  • daughter
  • honey
  • boyfriend
  • husband

Group terms

  • boys
  • dudes
  • guys
  • folks
  • besties
  • girlies
  • ladies
  • queens
  • trio
  • triad
  • gang
  • polycule
  • throuple
  • threesome
  • honey in the middle

Content boundaries

  • SA/harassment
  • Self-harm
  • Kissing
  • Assumed consent; no confirmation
  • Orgy/Threesomes+
  • Gore/Blood
  • Pedo
  • R34 of any fandom except anime
= Okay
custom, added by the user:= In-Person= In-Person/Online= Online= Avoid= Never
Card created: 2026-07-09Card last updated: 2026-07-23

A Virtual Girl was a moniker I made up, not at first for myself but initially for my character, Daisy. It never made it into the worldbuilding document (notes I make for myself when the universe is entirely self-authored) and only showed up a single time in the book, about halfway through. But in the meantime it became a sort of branding for me. It’s what I put on all my online bios, the short description being succinct.

That was very early on in my understanding of gender, but even back then, in high school, I knew that A Virtual Girl was something that I felt very comfortable with. Technically, Daisy was the original Virtual Girl before I assumed that as my own label. Daisy started off as a self-insert (the author putting themselves into the story through a character) but became her own character as the novel went through a power creep of one-upmanship. Power creep is when a story keeps escalating abilities, stakes, or spectacle until characters become much more extreme than they were at the start. Basically, Daisy slowly became a god in the story, so she became less relatable and started having conflicts that were no longer aligned with my own experience.

Daisy and Shegan, her small pink elephant deity form, drawn by a close friend of mine.
Daisy and Shegan, her small pink elephant deity form, drawn by a close friend of mine.

The phrase “A Virtual Girl” is descriptive in a way that I don’t think is very easy to explain otherwise. The virtual part of my virtual girl descriptor is literally just that: an online persona that is girl. But more specifically, it is that I am a virtual girl. My online persona, which exhibits many traits of what people may deem “chronically online,” is a virtual girl.

Chronically online individuals, at least in the way I express those traits, would include “internet slang,” but even beyond that to “rawr speech” or “XD” language, whatever part of the internet you’re in might call it. Let’s unpack and learn about those terms. A tiny history lesson, compliments of a Nick Robinson video about “XD”: the mid-2000s internet had a loud, messy, hyper-expressive style of writing that felt distinctly young and online. Messages often looked rushed or deliberately chaotic, with emoticons, repeated punctuation, random exclamation marks, and frequent use of XD doing much of the emotional work. The text was not just communicating information; it was performing a personality: silly, annoying, excited, unserious, and self-consciously childish. This style came from a wave of young users entering online spaces that had previously felt smaller and more closed-off. Their writing brought a new kind of energy: messy phrasing, exaggerated reactions, inside-joke slang, and a tone that could seem irritating. The result was a recognizable early-internet voice: cluttered, emotive, immature, and expressive in a way that made the text itself feel ironically aware of its immaturity.

Now I’m not saying that my messaging style is full-force like this, but it can certainly lean into the more chaotic style messaging, especially if the messaging partner is receptive or especially participates in the type of, well, “eloquence” that is so specific to the internet and retained within a few fandoms (such as the furry fandom) long after the decade it sprung up in has passed. All in all, that’s what makes my virtual counterpart so much of their own person that they get a new label: A Virtual Girl.

She feels like a spirit, a mindset, and at times, a companion. She can even feel like a daughter to me, where I grow protective over her, and thus draw boundaries that are just healthy for my own mental state, but in the name of protecting her. I treat her better than I treat my real self, which is unfortunate to say, but she’s also me, so it’s at least still a positive.

The playfulness is a big part of it. I will often roleplay, so much so that it enters normal dialog. Specifically, roleplay that uses action words, as seen by italic text or just text *surrounded by asterisks*. Like *Boops you* if I want to take my virtual finger and press it playfully against their nose. I’ll usually follow it up with an unitalicized “Boop!” to let them know I also said the word “aloud” as I did the action. Big feelings on the playfulness of it, especially when others are receptive and encourage the play.

Knowing that my internet self can connect with others in a “girlies” way, as the group terms suggest, is a very nice way to affirm them and also feel like my playful internet self that has found their own way online, just as I have found my own way in the real world as a person. “Girlies” and “queens” are affectionate group terms common in some queer and internet spaces. I use them here as playful forms of inclusion, not literal assertions about everyone’s gender within a group.

@katsumi_maki’s Avatar

@katsumi_maki

Words

Honorifics

  • …
  • Ms.
  • Ma’am
  • Madam
  • Princess

Ways to refer to me

  • …
  • girl
  • girlfriend
  • bbg
  • boo
  • sister
  • darling
  • princess
  • daughter
  • honey
  • …

Group terms

  • …
  • girlies
  • ladies
  • queens
  • …
@katsumi_maki’s Avatar

@katsumi_maki

A Virtual Girl.

Pronouns and words are separated between In-person, Online, or In-person/Online. In-person only infers that the term is not really for online (and vice-versa). Terms that are Okay are for terms you shouldn't go out of your way to refer to me with, but it's fine if you do by habit.

Avoid and Never are for words or conversation topics to either avoid (or approach with caution) or never talk about, respectively.

Age: 26

My local time is loading…

  • Asexual
  • Aromantic
  • Agender
  • A rectangular flag with four equal-width horizontal stripes: black, grey, white, purpleA rectangular flag with five equal-width horizontal stripes: green, light green, white, grey, blackA rectangular flag with seven equal-width horizontal stripes: black, grey, white, lime green, white, grey, black

Names

  • Dan
  • Katsumi Maki
  • Katsumi
  • Maki
  • Sweetie Bot

Pronouns

  • he/him
  • it/its
  • they/them
  • she/her

Links

  • bA3
  • Pronouns.page/@katsumi_maki

Words

Honorifics

  • Mr.
  • Professor
  • Sir
  • [no honorific]
  • Mx.
  • Ms.
  • Ma’am
  • Madam
  • Princess

Ways to refer to me

  • man
  • boy
  • buddy
  • dude
  • person
  • friend
  • girl
  • girlfriend
  • bbg
  • boo
  • sister
  • darling
  • princess
  • daughter
  • honey
  • boyfriend
  • husband

Group terms

  • boys
  • dudes
  • guys
  • folks
  • besties
  • girlies
  • ladies
  • queens
  • trio
  • triad
  • gang
  • polycule
  • throuple
  • threesome
  • honey in the middle

Content boundaries

  • SA/harassment
  • Self-harm
  • Kissing
  • Assumed consent; no confirmation
  • Orgy/Threesomes+
  • Gore/Blood
  • Pedo
  • R34 of any fandom except anime
= Okay
custom, added by the user:= In-Person= In-Person/Online= Online= Avoid= Never
Card created: 2026-07-09Card last updated: 2026-07-23

I would love for others to envision me as a virtual girl. They might not have the same point of view that I do, since I know my virtual girl self just as much as I know my real life self. I’m extremely introspective, if this thousand-word paper about myself, not to mention nearing ten papers like it about human psychology and my personal history, is any clue. But in the same way that I can affirm others by being like “queeeeen, you right,” I feel like it gives me a boost of energy if they do the same for me. It’s heavily in queer spaces, but I’ve been mistaken for an internet girl in spaces that have other common interests (though still a large body of queer users because that’s just my go-to on the internet) even if it’s about a particular fandom we all enjoy.

@katsumi_maki’s Avatar

@katsumi_maki

Pronouns

  • …
  • she/her

Words

Ways to refer to me

  • …
  • girl
  • …
  • bbg
  • …
@katsumi_maki’s Avatar

@katsumi_maki

A Virtual Girl.

Pronouns and words are separated between In-person, Online, or In-person/Online. In-person only infers that the term is not really for online (and vice-versa). Terms that are Okay are for terms you shouldn't go out of your way to refer to me with, but it's fine if you do by habit.

Avoid and Never are for words or conversation topics to either avoid (or approach with caution) or never talk about, respectively.

Age: 26

My local time is loading…

  • Asexual
  • Aromantic
  • Agender
  • A rectangular flag with four equal-width horizontal stripes: black, grey, white, purpleA rectangular flag with five equal-width horizontal stripes: green, light green, white, grey, blackA rectangular flag with seven equal-width horizontal stripes: black, grey, white, lime green, white, grey, black

Names

  • Dan
  • Katsumi Maki
  • Katsumi
  • Maki
  • Sweetie Bot

Pronouns

  • he/him
  • it/its
  • they/them
  • she/her

Links

  • bA3
  • Pronouns.page/@katsumi_maki

Words

Honorifics

  • Mr.
  • Professor
  • Sir
  • [no honorific]
  • Mx.
  • Ms.
  • Ma’am
  • Madam
  • Princess

Ways to refer to me

  • man
  • boy
  • buddy
  • dude
  • person
  • friend
  • girl
  • girlfriend
  • bbg
  • boo
  • sister
  • darling
  • princess
  • daughter
  • honey
  • boyfriend
  • husband

Group terms

  • boys
  • dudes
  • guys
  • folks
  • besties
  • girlies
  • ladies
  • queens
  • trio
  • triad
  • gang
  • polycule
  • throuple
  • threesome
  • honey in the middle

Content boundaries

  • SA/harassment
  • Self-harm
  • Kissing
  • Assumed consent; no confirmation
  • Orgy/Threesomes+
  • Gore/Blood
  • Pedo
  • R34 of any fandom except anime
= Okay
custom, added by the user:= In-Person= In-Person/Online= Online= Avoid= Never
Card created: 2026-07-09Card last updated: 2026-07-23

That is why she/her is online-only: it belongs specifically to the virtual-girl context. It also explains why “girl” ties very deeply into the phrase “A Virtual Girl,” even if the people using “girl” to refer to me don’t know about my ownership of that phrase. It also explains why “bbg,” meaning “baby girl” specifically, works as an extension and acronym for girl when directed at me. ‘bbg’ is internet shorthand that can be affectionate, teasing, flirtatious, or sexual depending on context. On my page, I mean the nonsexual version. It’s playful, quick to type, and hits the virtual feminine vibe that I encourage and live in for online spaces I’m a part of. Sure, it means other things, but I know what relationship I have with people who use that for me.